I receive letters like this once a fortnight. They effectively promise to do sculptors’ hard work for them at a very reasonable cost. I send a small model or maquette to China, and it will be factored to my dream size in granite or my chosen material; hardness no object. Permanence guaranteed. All from the comfort of my chair. This process is behind much of large work in stone today – the anodyne Borough works of statuary as well as large works by non-stonecarving artists who (perhaps) are using stone as an addition to their oeuvre, to tap into the huge … Continue reading Stone: whose work is it anyway?
It was magical to discover that the painter I studied with at The Frink School (and recently visited in Edinburgh) Ruth Addinall, had come across artist Mary Wondrausch‘s wonderful book Brickfields and corresponded with her. Wondrausch’s slipware has a historical resonance and is in the V&A Collection, but her broader talents have resulted in a house and garden to rival Charleston for colour and placement – her pots, her plantings, her paintings, historical kitchenalia and rustic European pottery… underpinned by her historical research on our relationship with food and writings exploring such curiosities as potted Char, salt and spice containers. We have … Continue reading The human clay: Compton