Naming a Hindhead public sculpture

The A3D project’s legacy stone engaged local people over the three months I worked it on site. During the final days, possible names started to come to me but none seemed quite apt. The thoughts of the creator and viewer may be entirely different – sculpture speaks to you as a result of what you project onto it rather than you needing to ‘get it’. For this reason, having something simple, ambiguous (non-confrontational and non-leading) seems essential to allow viewers not to be channelled when they are quite capable of using their own senses. Conversely, having a name which leads … Continue reading Naming a Hindhead public sculpture

Strangling the sublime

Enthusing about the sort of things that goes through an artist’s mind in responding to place is thought-provoking. I biked around Hindhead’s Devil’s Punch Bowl distilling what I felt were the most visceral parts for me – a sublime landscape partially reborn, a heinous murder and narratives of good versus evil. Conan Doyle couldn’t have planned better, and indeed his Hound of the Baskervilles was written at Undershaw, the house he built and lived in for a decade, less than a mile away.  Continue reading “Strangling the sublime”